29.2.12
Clever Concept Adds Number Pads to Laptops
Snap on power and space
Crazy Metal Melts In Your Hand
Color Galaxy Cheil Industries Inc.
After photographing a specific subject using a mobile camera, Color Galaxy searches comparable colors that are developed into the plastic material of Cheil industries and provides the 3D model.The user can obtain any colors he or she wants wherever anytime from 30,000 registered color libraries in Color galaxy, which is very helpful for more graceful, refined product color design.
Constant Garden Desktop
As far as concepts go this device, known as the Constant Garden, is certainly one of the more fascinating we’ve come across of late in serving not only as an appointments manager capable of reminding you of important meetings but also a ambient background audio device that plays ‘nice garden sounds’ (such as birdsong, we assume) designed to act as a calming influence to lower anxiety in the office as well as remind you that there’s more to life than just work.
Photosynthetic Bike
An Industrial designer from Taiwan Tang Ming-deng comes up with futuristic and amazing design concept of electronic bike. Dubbed as Co2, this electric bike is made for attracting the white collar worker in urban cities. Offer an ideal and more safety commutation while driving in city environment. The electric energy that is used for generating this bike is produced by photosynthesis process. This process run on opened leaf windows of this e-bike. Some modern features that is included in this bike such as utility steering wheel for monitoring the mounted power and for controlling bike speed. the rear shock absorber and the suspension fork system will produce motor energy where the electricity is resulted when the treadle assisting the rider.
cloud sofa
This is an elegant concept created by designer D.K. Wei. The Cloud sofa is supposed to give one the illusion of floating on their own personal cloud. A magnet in the base is supposed to generate enough magnetic force to hold the sofa aloft. The cloud is constructed from a plexiglass mold.
THE FROZEN FOUNTAIN
PLUMEN
The Plumen 001 is a Hulger product and was designed by Hulger & Samuel Wilkinson.
AWARDS
The Plumen 001 was awarded the Brit Insurance Design of the Year in 2011, one of the world’s highest profile international design awards. It was also awarded the prestigious Black Pencil at the D&AD awards in the same year.
It has also been recognised by renowned design collections around the world including the Victoria & Albert Museum in London, the Finnish Design Museum and the Cooper Hewitt collection, based in New York.
KIMBALL OFFICE FURNITURE
Interesting and comfortable seating for multiple atmospheres:
- Mesh FlexZones offer support where the user needs it
- Nesting design allows for easy storage when not in use
- Removable headrest can be positioned anywhere on the frame for personalized comfort
- Bold and basic colors to complete any setting
28.2.12
Alphabet Topography" is A-Z in 3D
Lately Synoptic Office has been exploring the physical space of letter forms, not as they appear on paper, but as they might look if they were mountains, for example. That's essentially what they've done with their latest project, "Alphabet Topography," a landscape of laser-cut letter forms whose height is determined by how frequently it's used in our lexicon. When viewed altogether this new typeface "maps the rhythmic ebb and flow of the English language." You can see that E is used a ton whereas P, not so much.
Prior to this they created "Swell," another experiment with the physicality of language. It's based on the same idea of height in accordance to frequency, but in this case it's represented by black tape on a wall that maps out "a complete digital open typeface with letterforms reminiscent of the screen." It sounds abstract when you try to describe it, but Caspar Lam and YuJune Park, the founders of Synoptic Office, have the ability to visualize high-concept ideas in an open and expressive way.
Posted by Rachel Briggs
Seeing the World Through Eyeboming
Nope, it's not a new version of the EyeWriter: "Eyebombing" is a far more low-tech—and perhaps expressly meme-friendly—form of urban intervention.Kim Nielsen and Peter Dam coined the term late last year: "Eyebombing is the act of setting googly eyes on inanimate things in the public space. Ultimately the goal is to humanize the streets, and bring sunshine to people passing by." Their intentions are contrary to those of traditional tags, which Nielsen and Dam see as "egocentric behavior... using vandalism to [get respect]"; eyebombing is "only about the message itself."
It's not a fight for the public space, it's to be seen as a lovely addition to that space. An addition that hopefully brings a smile, and brightens someones day. The eyebomber use humor and wit to reach its audience, not vandalism or provocation.
Posted by Rachel Briggs
CAD versus Hand Sketching
A continuing issue in industrial design education is when to allow students to move from sketch work to 3D CAD modelling during studio practice—or whether to let them use CAD at all! I've heard of first year undergraduate modules where students are 'banned' from the use of CAD in an attempt to encourage sketchbook work and more explorative conceptual design practice. In my view this approach is somewhat draconian and does little to deal with the underlying reasons that attract less experienced designers to the comparative certainty of 3D CAD.
Instead of setting constraints or limitations to dictate where and under what circumstances design tools must be used, design education needs to provide opportunities for young designers to reflect upon the nature of their own design activity and how this informs their use of design tools. Design students should consider the bigger picture that constitutes the various requirements of a design process in order to think about how tool use locates within and is informed by a requirement to design. This awareness will then provide opportunities for students to make more informed decisions when working with design tools; to be more critical in their use of CAD tools and more confident in their own sketching abilities.
My own research has explored the increasing variety of tools the industrial designer has at their disposal to support the development and communication of design intentions. Findings indicate that sketching continues to underpin design activity. Professional experience also influences the use of sketching in support of design activity. Less experienced design students tend to lack confidence in their sketch ability and they find the dynamic, unconstrained medium at odds with an approach to design activity that errs towards fixation and attachment to concept.
posted by Rachel Briggs
Learning Curves
While there are plenty of books on figure drawing and fine art in bookstores, precious few appear on the art of design sketching. Learning Curves is Klara Sjolen's follow up to her 2005 book Design Sketching. Students at the Umea Institute of Design generated the content of the earlier book, while the more recent book showcases the output of working designers.
While Curves could be characterized as a sequel of sorts to the first book, drawing is a deep enough field that either book could be used as a starting point. Learning Curves is thicker and includes a broader range of modern techniques (e.g. using 3D CAD models as sketching templates, marker and Photoshop). Both books include demos on ellipses, shadows, perspective and materials. The 2005 book has more detailed tutorials on form and the more recent has one of the finest descriptions of different pens or materials we've seen yet. It is also testament that the earlierSketching showcased extremely capable work from the students at Umea, since even a professional would be hard-pressed to determine whether a given sketch from either of the books was generated by a student or a pro.
Posted by Rachel Briggs